Download PDF Gilgamesh the King (The Gilgamesh Trilogy), by Ludmila Zeman
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Gilgamesh the King (The Gilgamesh Trilogy), by Ludmila Zeman
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Gilgamesh, half-god and half-man, in his loneliness and isolation becomes a cruel tyrant over the citizens of Uruk. To impress them forever he orders a great wall to be built, driving his people to exhaustion and despair so that they cry to the Sun God for help. In answer, another kind of man, Enkidu, is sent to earth to live among the animals and learn kindness from them. He falls in love with Shamhat, a singer from the temple, and he follows her back to Uruk. There, Enkidu, the “uncivilized” beast from the forest, shows the evil Gilgamesh through friendship what it means to be human.
- Sales Rank: #34386 in Books
- Brand: Zeman, Ludmila/ Zeman, Ludmila (ILT)
- Published on: 1998-04-25
- Released on: 1998-04-25
- Original language: English
- Number of items: 1
- Dimensions: 10.19" h x .13" w x 11.38" l, .41 pounds
- Binding: Paperback
- 24 pages
From Publishers Weekly
The Mesopotamian epic about a tyrannical king who finds his humanity and embarks on a quest for immortality here takes shape as a trio of books: Gilgamesh the King, The Revenge of Ishtar and The Last Quest of Gilgamesh. All three are illustrated with vivid pastels on black paper. Ages 8-up.
Copyright 1998 Reed Business Information, Inc.
From School Library Journal
Grade 3-6-- This picture book account of the first part of the ancient epic retains the main characters and events of the story that is Mesopotamia's claim to literary fame. The god-king Gilgamesh rules oppressively over the city of Uruk. The people cry to the gods for relief, which comes in the form of a wild man named Enkidu. Gilgamesh sends a temple woman, Shamhat, to lure Enkidu from the wilderness. He returns with her to the city, where he fights Gilgamesh and the two men become best friends. There are alterations (e.g., Shamhat is no longer a courtesan who seduces Enkidu, but a city favorite who falls in love with him, Gilgamesh no longer subdues Enkidu but falls off a wall and is saved by him) as well as additions and deletions. Granted, there are several versions of the story, but the reteller does not note that this is a rather free adaptation of the "standard" text. Though padding the Shamhat role seems more than a little anachronistic, the dramatic choices usually work well, setting up the rivalry/friendship that propels the rest of the epic (to be continued in two future volumes). Unfortunately, the telling lacks the feel of the ancient poetry; the cadences of oral tradition with its repetition and vivid description needn't have been sacrificed. The full-color illustrations, however, capture that ancient aura wonderfully well. Spreading horizontally and dominating the page, they incorporate elements from Sumerian, Assyrian, and Babylonian art. They remain rich and lively--sometimes almost cartoonlike--imparting a sense of personality and landscape. Bernarda Bryson's Gilgamesh (Harcourt, 1967; o.p.) retells the complete epic in more evocative language, but the ratio of text to illustrations is much greater, making it less accessible. In spite of its playing a bit fast and loose with history, this makes an attractive introduction to one of the world's oldest stories. --Nancy Palmer, The Little School, Bellevue, WA Junior High Up
Copyright 1993 Reed Business Information, Inc.
Review
The Gilgamesh Trilogy:
“A powerful version of the Gilgamesh epic…a stirring and sad tale.”
–The New Yorker
Most helpful customer reviews
46 of 46 people found the following review helpful.
Wonderful Series!
By HomeschoolingMom8
We really appreciate the beauty of this series of books as it covers "The Epic of Gilgamesh" in an appropriate and accessible way for our children. We love to use actual historic documents in our study if possible, but the actual epic is too uncomfortably graphic even for our older children, so we use these for everyone as we study Mesopotamia, Sumer and Babylon. There are not many books that cover these Near East cultures, which makes this set especially valuable. Along with "Our Young Folks' Josephus" as our history spine, "Science in Ancient Mesopotamia" and "Ancient Egyptians and their Neighbors: An Activity Guide (covering Hittites, Nubians, Mesopopotamians and Egyptians) this series helps considerably to round out our ancient history studies and to teach our children about one of the most ancient tales in the world in a beautifully engaging way.
39 of 40 people found the following review helpful.
Gilgamesh the King by Ludmila Zeman
By A Customer
This is a fantastic version of the Epic of Gilgamesh -- for children, ages 4 - 12. The illustrations are colorful and very similar to the Sumerian/Babylonian style of art. The recounting is easy for children to follow. I bought it for my 7 year old but my four year old was riveted. There are other more thorough versions around but this is a great one for a beginner. Make sure you buy all 3 books in the series to get the whole epic, the other two being The Revenge of Ishtar and The Last Quest of Gilgamesh.
28 of 28 people found the following review helpful.
Timeless story and exquisite illustration
By Kindle Customer
My children and I are beginning a study of ancient civilizations and I bought the three Gilgamesh books to expand our coverage of ancient Sumer. These books are just amazing! The story itself is powerful but I wondered how the author was going to tone down some of the violence; not to mention the fact that Shamat was a prostitute in other versions. Ludmilla Zeman has brought this story to children with intensity and grace that comes as a complete surprise. I especially liked her painting of the chaste kiss between Shamat and Enkidu with the explanation that Shamat taught Enkidu to speak and together they explored the ways of love. Very tender.
In her illustrations, Ludmilla Zeman has made an attempt to incorporate actual historical artifacts. These are all high-quality books in every sense and I cannot recommend them highly enough.
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