Senin, 28 Maret 2011

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  • Binding: Paperback

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[W108.Ebook] Ebook The Structure Of Music, by Percy Goetschius

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A Series Of Articles Demonstrating In An Accurate, Though Popular, Manner The Origin And Employment Of The Fundamental Factors Of Music Structure And Composition, For The Student And General Music Lover.

  • Sales Rank: #4946221 in Books
  • Brand: Brand: Literary Licensing, LLC
  • Published on: 2012-07-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .37" w x 5.98" l, .52 pounds
  • Binding: Paperback
  • 172 pages
Features
  • Used Book in Good Condition

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0 of 0 people found the following review helpful.
A fine and excellent book that serves as an introduction in ...
By Alberto M. Ramos
A fine and excellent book that serves as an introduction in several aspects of classical music . A previous knowledge of some harmony or counterpoint can be helpful to understand some of the chapters .

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Jumat, 25 Maret 2011

[S962.Ebook] Download PDF Cooking for Special Diets, by Katherine Polenz, The Culinary Institute of America (CIA)

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On-trend meal-away-from-home solutions for the growing number of diners on special diets

The increasing prevalence of food allergies and dietary restrictions can make it difficult—or even impossible—for an ever-growing number of diners to enjoy foods prepared away from home. Many books deal with a single food issue, but for professional chefs who want to meet the demands of a skyrocketing customer base characterized by a diversity of special needs, Cooking for Special Diets is an indispensable resource. From cooking for gluten sensitivity, Celiac disease, and diabetes to crafting delicious, on-trend dishes void of nuts, shellfish, eggs, and other food allergens, this book provides comprehensive information on all of the most common dietary restrictions. This invaluable reference includes detailed instructions on choosing the right ingredients to address each type of diet, replacing and substituting for common allergens, and converting standardized recipes for cherished dishes to better suit every type of special dietary need.

  • More than 225 recipes, organized by appetizers, soups, salads, entrĂ©es, side dishes, breads, and desserts
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  • Sales Rank: #1059631 in Books
  • Published on: 2014-03-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.94" h x 1.05" w x 8.76" l, 1.99 pounds
  • Binding: Hardcover
  • 384 pages

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0 of 0 people found the following review helpful.
Cannot wait to use in class
By Julie Ott
Shipped at a normal speed. Book was in excellent condition. Lots of recipes, covers a broad range of health-problems that need a specific diet.

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Four Stars
By Pamela Ammon
The book was in excellent condition, with beautiful recipes and photos. It was a much better book than expected.

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good book great recipes
By Baba Dei
very god book, great recipes

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Sabtu, 12 Maret 2011

[Y521.Ebook] Download After the Locusts: Letters from a Landscape of Faith, by Denise M. Ackermann

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This unique collection of six "letters" written by Denise Ackermann to family and friends both living and dead is one woman's account of her life, faith, and work as an Anglican theologian during South Africa's apartheid years and afterwards.

In the letters, which are intensely personal memoirs as well as reviews of the theological and political issues that have marked her career as a feminist Christian in a deeply wounded society, Ackermann discusses such issues as identity and difference, her struggles with sexism and racism, the power of naming, the evils of the apartheid years, the scourge of AIDS, and the function of faith in the midst of misery and conflict.

"After the Locusts" will interest a great range of readers; few will fail to find insights of profound relevance to the task of living Christianly in today's trying world.

  • Sales Rank: #212937 in Books
  • Brand: Brand: Wm. B. Eerdmans Publishing Company
  • Published on: 2003-06
  • Original language: English
  • Number of items: 1
  • Dimensions: .55" h x 6.00" w x 9.02" l,
  • Binding: Paperback
  • 180 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

4 of 4 people found the following review helpful.
Suffering and Faith
By LVMc
Written in the form of letters to the people in her life closest to her, these essays blaze with the intensity of life deeply felt and faith forged in the crucible of base cruelty, soaring beauty and redemption that is South Africa. Having stripped away the usual academic lingo, this theologian, who describes herself as a cultural hybrid and a feminist, takes on such subjects as cultural and racial identity, political, theological and physical domination, and the paradox of the presence of an all-powerful and compassionate God in a world riven by suffering from AIDS, misogyny, torture, injustice, hunger, and hatred. Ms. Ackermann refuses to look away from suffering or be paralyzed by her anger, or to take refuge in apathy or denial. All suffering and helplessness are held up to the example of scripture, most particularly the poetry of suffering and praise in the psalms, and in the passion of Jesus. This is a book for readers whose need is to explore the wilderness more than for those who demand comfort and certainty.

0 of 0 people found the following review helpful.
A Must Read
By lovely7
I just started reading After the Locust and I love it, I can barely put it down to complete my daily tasks. Every time I prepare to read I make sure that I have my pencil in hand, because I just can't stop underlining phrases that resonate with me & jotting down my thoughts along the sides of paragraphs. Denise Ackerman is refreshingly honest, and poignant with her thoughts & theories. Her work inclines you to spend time doing the hard work of mapping out your personal theology. Anyone interested in being able to articulate why faith is a journey, and not merely a religious practice should read this book.

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Rabu, 09 Maret 2011

[U855.Ebook] Download Leyte: June 1944-January 1945 (History of United States Naval Operations in World War II), by Samuel Eliot Morison

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Leyte: June 1944-January 1945 (History of United States Naval Operations in World War II), by Samuel Eliot Morison

This spectacular fifteen-volume series that charts the U.S. Naval operations during World War II with an insider's perspective. Morison, a Harvard professor, was given a special rank and writing post by FDR. He had active duty aboard eleven different ships, allowing him to witness many crucial battles in both the Atlantic and Pacific oceans. Volume Twelve recounts the greatest naval battle of all time, the Battle for Leyte Gulf in the western Pacific. Filled with many maps and file photographs.

  • Sales Rank: #567184 in Books
  • Brand: Brand: Castle Books
  • Published on: 2001-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.52" h x 6.06" w x 8.78" l,
  • Binding: Hardcover
  • 440 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

66 of 67 people found the following review helpful.
A Debt of Gratitude is Owed
By Donald W. Wooten
Back in the 60's while still in high school I found this set in my local library. At that time I was very interested in naval history and especially during the World War II period. I was continuously checking out these volumes, wishing I had the hundreds of dollars to possess my own set. I eventually graduated and enlisted in the Navy during the heights of the Vietnam War. I was married during my 6-year enlistment and then entered the routine of daily life, raising a family, occupation, and the rest. A health issue resulted in my recent retirement which left me with some free time to pursue current and dormant interests. While visiting a local discount bookstore I ran across a single new copy of a long ago remembered blue and gold slip cover. To my delight it was a volume 6 of this new edition of this work. Costing only $5.00, I could not pass it up. I eventually looked up this set on Amazon.com and was surprised to see that the price had dropped to what I could now scratch together. This complete set has now been adorning my library for two months and I am taking up again my studies that were interrupted by 48 years of living in the fast-lane.

With the maturing of the years I can now appreciate the wonderful writing style and sincerity of the writer. After doing a little arithmetic I came to see that he must have been about 4 years my junior (54) when he took on this assignment. I admire anyone who would take on such a monumental task at that age. His credentials seemed perfect for this work and I feel have proven to be so. His humor seems a little trite now, but does not seem out of place for the period in which he was writing. The thing that continually strikes me is the graciousness with which he handles the errors and mistakes of those taking part in the history he is recording. There is nothing of what is so common among writers trying to make a place for themselves through their criticism of others; making up for their lack by focusing on what they lead others to believe concerning writers of much higher accomplishments and esteem than themselves. Here is a man who, to the extent to which he could, was wearing the shoes of those of whom he was writing. Even when he was an eye-witness to seeming incompetence, he would still attempt to look beyond the surface to the underlying circumstances that contributed to the actions. Yet he was quick to point out character flaws that lead some commanders to take credit for victories where no credit was due. His writing style is his own in keeping one focused on the fact that they are reading history yet keeping it flowing in an easy style, and where appropriate, even entertaining. He keeps it from becoming dry history by skillfully weaving the lives of the participants into the events. It took the more recent and expanded writings to portray the depths of carnage and suffering inflicted upon sailors, soldiers, and airmen in combat. But even with his PG rated violence one is still left with the understanding that war is awful in the price paid by those in the front lines. He was better at pointing out how war brought out the best in human character than in how it brought out the worse. This seems consistent with his tendency of looking deeper than just what appeared on the surface.

In his writing, I have only one complaint; I wish he didn't give away the outcome before the battle. Being that his style sometimes leaves you thinking that you are reading a novel, I found a slight feeling of disappointment when he would state or hint at the final outcome while he was building up to the battle. This was only a disappointment when I did not know or remember the outcome, myself. He covers so many of the smaller conflicts that few could know or remember all the outcomes. He can be forgiven this since he was a historian and not a novelist. Another area, but of support, would be in the maps and charts. Maps providing the details of important engagements were adequate but maps revealing how these areas came together on a larger scale were not. Personally, being one who needs to get a handle on the big picture as well as the details, this many times left me having to find other sources for what I feel should have been available within the particular volume. This is especially true in the Solomon Island area where even searches on the Web left me without what I felt was satisfactory maps.

The particular edition that I purchased, by Castle Books, 2001, cannot be commended for its quality in paper, hardcover, and edge cutting, but I definitely cannot complain about the value. I feel I "got what I paid for" and am well satisfied. The jagged, irregular page widths make for a rough surface opposite the binding. This doesn't affect the turning of pages but it sure is ugly. For a reprint, the photos, maps, and charts, which are printed on the same paper as the text, are better than most found in reprints. The only thing that really suffers is the very small items and text in the maps and charts, and even this may be the result of the detail in the originals. The most obvious shortcoming is in the appearance of the jacket covers. The glossy heavy paper and color printing is on par with the best but the cutting leaves too much variation over the 15 volumes. A 4-mm variation doesn't seem much until you line them up on your bookshelf. Three wide parallel horizontal gold lines on a blue background magnifies those 4-mm's out of all proportion. Overall, I am very satisfied with this edition and grateful that the price was brought down to an obtainable level for me.

These volumes were completed and edited in the 1940's into the 1960's, and as such are limited to what was known or resources could gather and collate. As the years went by and more researchers focused on this period, information from documents and interviews have added to what was then known. But this new material must be critically analyzed before being established as history. Morison's driving fear in pushing forward this task was to get history while it was happening rather than waiting for time to obscure its context and memories. More detailed writings have since been written on many battles and campaigns than was possible in this work, but they lack the eye-witness and first hand input that was an integral part of this work. Because of this work we now have a balanced source of history for those wishing to gain the best possible understanding of the people and events of this period. I feel that any criticism aimed at the bond between Morison, his staff and the Department of the Navy as an obstacle to truthful recording of the facts is unfounded and reeks of the post-war distrust of anything connected with the government or military. The background and moral character of Samuel Eliot Morison should make such charges die in their tracks. If he withheld any information because of its classification he cannot be held accountable for distorting history. If it can be proved that he misrepresenting the facts and this resulted in the recording of history that never was then his life's work in American History goes for naught. The younger generation of readers may find it hard to conceive that just a short while ago mainstream history was not manipulated for profit, political correctness, or to undo social injustices. Battles were fought to establish and maintain truth in the history books. Morison lived and worked during the waning years of this period and can be trusted to have recorded this history in complete accordance with his convictions. This is not to say that he wasn't infallible and limited in his understanding or comprehension of details and context of events, or even that he may have been blind to personal weaknesses that could affect his interpretations of the facts. This is a common limitation in anyone who pursues to teach the facts when there remains any subjectivity in the material written upon. But I feel that I have justifiable reason to believe that any errors in judgment or in recording of the facts that Morison can be exonerated of any accusation of purposeful manipulation for ulterior motives. In other words, I feel that this history can be trusted to represent the truth as seen by a man and staff who were able to collect information from first-hand sources and compile it using the best resources available at that time.

It is clear that Morison was a man driven by a purpose and that purpose was what he had originally proposed to FDR shortly after the Pearl Harbor attack. He was a man that knew history and the importance of the gathering of all possible facts to make the recording of history true to the actual events. He seems to have collected a staff of quality like-minded individuals who shared the same vision.

It seems that few works that touch on this area of history do not in some way make reference to this set. In my reading of several that do, I am disgusted to read some of the criticisms made, especially when those doing the criticizing are in some way pushing something "newly revealed". Fortunes are made on promises of newly revealed sources that later are proven to be without solid grounding. The reading public is greedy for anything that might prove cover-up and the harshest critics of truth are those who want to replace it with their own personal version. By doing so they often have a period of fleeting glory and the accompanying riches. I am content to accept what I read in these volumes as history, recognizing that many things are open for true historians to add or edit as time and true research brings things unrecorded or missed to light. But I doubt that any of these discoveries will prove Samuel Eliot Morison to have been anything but a first rate and uncompromising historian and writer of the history of United States naval operations in World War II. Students of the history of this period will always have a debt of gratitude owed to this man and his team.

48 of 51 people found the following review helpful.
A Classic.
By Amazon Customer
This is the definitive history of US Naval ops in the second world war. It is very well written. Morison was a Harvard history professor interested in maritime matters who FDR appointed in April 1942 as official naval historian and comissioned in the USNR. During the rest of the war Morison worked on the history full time, spending about half the time at sea with various elements of the fleet. The series was published volume by volume until completed in the early 1960s.
When these books were written, the allied successes in breaking axis codes were still secret, so the full reasons behind many command decisions could not be discussed. On occasion this forced Morison into a little obsfucation. So long as the reader is aware that some crucial signals intelligence could not be mentioned, it makes little difference to the work as a whole.

27 of 28 people found the following review helpful.
Complete
By Wallace V. French III
This is a great set of books and the only thing you need to reference any Navy operation during World War II. I've only recently completed reading two volumes, but I am amazed at the detail and how completely researched these books are. Morison is a true master of the history of the U.S. Navy. Not only does he cover WWII in detail, but he references other Naval battles and clues you into some great secondary sources. I am most interested in operations around the Mediterranean (Salerno and Anzio) and Morison has covered that area better than any other books on the subject. The books look great on a book shelf. There is a volume for reference as well and it is very easy to find what you are looking for. Amazon.com does a good job of packaging this heavy set and I received the books with no damage.

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Jumat, 04 Maret 2011

[E654.Ebook] Ebook Download Q&A a Day for Creatives: A 4-Year Journal, by Potter Style

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Q&A a Day for Creatives: A 4-Year Journal, by Potter Style

Q&A a Day for Creatives is your go-to source for inspiration, whimsy, and idea generation. Each page of this four-year journal features a compelling question designed to get you thinking drawing, and dreaming. Open the journal to today's date and fill in the appropriate space as you see fit. (Pencil doodles? Watercolor? Musical scales?) As the journal fills year after year, you'll own a showcase of your ever-growing creative output.

  • Sales Rank: #339583 in Books
  • Published on: 2015-08-11
  • Released on: 2015-08-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.40" h x .90" w x 7.60" l, .0 pounds
  • Binding: Diary
  • 368 pages

About the Author
POTTER STYLE, an imprint of the Crown Publishing group, is a lifestyle gift imprint, specializing in design, health, humor, stationery, and other gift books and paper products.

Most helpful customer reviews

22 of 22 people found the following review helpful.
Unique and Imaginative; Not Just for Illustrators and Sketch Artists
By Kelly Garbato
Q&A A DAY FOR CREATIVES: A 4-YEAR JOURNAL is the latest in a series of guided journals produced by Potter Style, a “lifestyle gift” imprint of The Crown Publishing Group. Other specialized titles are aimed at moms, teenagers, book lovers, college students, and list-makers.

My first foray into Potter Style’s Q&A A DAY journals was the Q&A A DAY: 5-YEAR JOURNAL, which features 365 writing prompts – one for each day of the year, with enough space to record five years worth of entries. It’s a pretty rad idea, but the design of the book makes it difficult to use. At nearly 1 1/4″ thick and 6 1/4″ tall by 4 1/4″ wide, it’s a little smaller than a mass market paperback – but just as thick. Since my hand starts dropping off the end of the page about halfway down, I find it terribly difficult to write in. Plus the lines are tiny! I used it for about a month before personal issues proved too much of a distraction; looking back, I’m not surprised to see that many of my entries are borderline illegible thanks to the ill-devised layout.

So I was kind of psyched when I saw the oversized, rectangular cover of Q&A A DAY FOR CREATIVES. The book is significantly larger than its predecessor – 9 1/2″ wide by 7 1/2″ tall (those measurements are for the cover; subtract 1/4″ off each the width and height for the pages) – and MUCH easier to use. The soft cover also makes it easier to open and lay flat for comfortable use.

Each page features a prompt, along with four 3 3/4″ x 3 3/4″ squares to sketch your entry. While the book’s obviously aimed at illustrators and sketch artists (and possibly even painters; e.g., “Draw a human skeleton without looking at reference images.”), anyone with an interest in the visual arts can bend the rules to play along.

Can’t draw or paint? No worries! Scrapbook the heck out of this sucker! Treat it like a Pinterest board. If you’re into graphic art, complete the prompt using Photoshop and print out and paste in your answer. When Potter asks you “What was the happiest purchase you made in the past few weeks?,” attach a picture of your rescue dog wearing that shiny new ladybug outfit your bought her – or just include a clipping of the catalog listing. Some of the prompts are even open to written answers, traditional journal styley.

That said, I’d caution against cutting and pasting in every answer: all that additional paper will add up, eventually making the journal too thick to close or even easily flip through or store away. (I’ve had similar problems with various dog and cat memory books I’ve purchased over the years.)

Just to give you an idea of what you’ll be asked to draw, here’s a random sampling of ten prompts:
- “What does your hair look like today?” (June 25)
- “Draw yourself drawing. What are you drawing in the drawing of you drawing?” (October 10)
- “This page is full of bugs!” (March 28)
- “A four-parter! Over the course of the next four years, fill each panel with the life of a tree, from acorn to sapling, and onward to maturity.” (March 19)
- “Dream up a creative way to combine two animals into one. A frog and a goat? A seal and a blowfish?” (December 3)
- “Draw a key. What does it open?” (April 9)
- “What monster lives under your bed?” (August 16)
- “Draw a tiny desert island. Who is on it?” (October 4)
- “How would you illustrate a smell that you love?” (May 20)
- “What’s the one item you’re most embarrassed you own?” (March 7)

I really love these guided journals; they’re an excellent choice for people who want to keep a daily journal, but don’t have a whole lot of time or discipline to maintain the habit. The short, specific entries help keep you focused and motivated, and the four-year span offers a fun way of comparing your answers over a longer period of time.

** Full disclosure: I received a free copy of this book for review through Blogging for Books. **

7 of 7 people found the following review helpful.
Great idea; needs better paper.
By Durough
Potter Style, known for their interesting journals and quirky books related to games and literature, present their latest: //Q&A a Day for Creatives//, a four-year journal of a sketch-a-day with short bits of inspiration. Here’s how it’s laid out: Every page follows the solar calendar and contains an inspirational text and four 3.75”x3.75” (roughly) squares with “20_ _” in the bottom-left corner of each square. The idea is that one may begin anywhere in the calendar (say, the day you buy it), jot down the rest of the year in the first square (“2015”), read the text (September 15 reads, “What if you had to wear a disguise today? Picture it here.”), sketch whatever comes to mind, and repeat for four years, each year remember those previous while sketching in the next square. (If you’re as curious as I am, you’ll quickly find that there is a page for February 29 with four squares. I say just fill them all in on that special day!) It’s certainly a neat idea to break up your day with a fresh idea and sketch to keep the brain going and seeing how one changes through the years. I like the idea, and I’m interested in seeing what comes from continued use.

With all that in mind, I’m a little disappointed in the paper used in this book intended for creative sketching. Crayons and colored pencil may do well, and graphite is fine on most paper but often smudges onto the opposite page. Any liquids (e.g., water color, pen & ink, etc.) should be avoided since the paper is too thin. Even using a normal felt or ballpoint pen is going to show through the other side if it doesn’t outright bleed through. So, keep this in mind if you’re looking for something to really have fun with. I’m probably going to stick with a simple, gel ink, ballpoint pen throughout.

*I received this book from Blogging for Books for this review.

2 of 2 people found the following review helpful.
Other fun ways to use this book
By A. Yen
Q & A For Creatives is another book in the series from the folks at Potter Style, known for their series of Q&A books of all kinds.

It's a fun idea. But for someone like me who can only sketch stick figures and an occasional cat face, it's a bit intimidating. 1 sketch per day for FOUR years. Ouch. Not going to happen. But I can see how someone who enjoys art journaling and needs a little prompting by the daily question to get the creative juices flowing would love a book like this.

Since most in my family aren't much into drawing - and definitely NOT every day we thought of several other ways that this fun book could be used:

1.Make it your guest book. Particularly if you have an open door with lots of people stopping by for overnight visits or dinners, keep this book handy and "require" that your guests not only sign in but answer the question with a drawing for that particular day.

2. Family journal. Pass the journal around to various members of the family each day.

3. Traveling journal. Have your family do the sketches one week then send or pass it on to another family to enter their sketches for the next week. The problem with this is you lose the days while the book is in transit, so we'll keep thinking on that to see how it might work.

4. Bible journaling. There is a whole movement of people who are drawing, painting, sketching and all in their bibles. Some, however, would love to do that but don't like the idea of adding all that medium to the pages of their bible. This book could be a companion book and record 4 years of inspiration. Just ignore the questions in the margin or find passages in your bible that would compliment the question of the day.

5.Just one year. Have 4 different people fill in the boxes each day instead of just one box per year. That way it could be a one year record of 4 friends, 4 family members, 4 co-workers, etc., sketches.

6.Once a week. This might be a bit heavy for some but instead of actually doing the drawing once a day, pick one day of the week to be your creative day and go through all 7 questions for that week on that one day.

I'm sure there are more ways too. Feel free to comment if you think of some and I'll add them to my blog post too!

Would I recommend this book? Maybe. I think there are certain people I know who might love the idea and it's a really pretty book to leave out - so yeah, I think I would recommend it.

I received my copy from Blogging For Books in exchange for an honest review. I'm not compensated in any way for providing a positive review for any of their books.

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Rabu, 02 Maret 2011

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  • Sales Rank: #1186308 in eBooks
  • Published on: 2008-11-04
  • Released on: 2008-11-04
  • Format: Kindle eBook

About the Author
Professor of Law, University of California, Los Angeles School of Law

Most helpful customer reviews

2 of 3 people found the following review helpful.
Great Resource!
By isabel
I understand corporations because of this book! It really is a great resource. It gives a good overview of corporate law without being too general or too specific. A must!

0 of 2 people found the following review helpful.
good book
By 1
This book was requested by an attorney in my office. He seemed to feel that it is a good reference.

20 of 33 people found the following review helpful.
Law Students Beware: Axes Being Ground
By not me
Students should think twice before investing in this pre-Enron corporate law hornbook. The author, Stephen Bainbridge, does a decent job when he sticks to legal exposition. Unfortunately, for every page of exposition, there is at least one page of special pleading and strained attempts to "retheorize" corporate law. These sections are heavy with jargon from organization theory and behavioral economics; Bainbridge loves terms like "bounded rationality" and "null hypothesis." Even worse, he is incredibly parochial: he tries to map the deep economic foundations of corporate law yet doesn't even consider the experience of countries like Germany or Japan, whose corporate systems are very different from our own. It's a huge gap in a book that pretends to grand theory.

Bainbridge's particular hobby-horse is the notion that corporations are a "nexus of contracts" centered on directors, rather than legal entities owned by shareholders. He presents little or no evidence of judicial (as opposed to academic) support for this approach; in any event, he abandons the theory whenever it leads to results that clash with his general aversion to management accountability, director liability, and judicial review of corporate decisions. His argument that shareholder wealth maximization is consistent with the "nexus of contracts" approach is surely the most tortured section of the book. His statement that shareholders lack political power in the United States may be the silliest sentence ever written by a law professor (which is saying a lot).

The book is cheaper than many hornbooks but students should know what they're getting. Bainbridge worked at the Heritage Foundation and his conservative ideology appears on almost every page. He loves to invoke the authority of economics and cost/benefit analysis to support his conclusions, but, like many law-and-economics disciples, he doesn't actually do any economic or cost/benefit analysis himself, perhaps because he lacks the social science background needed for empirical work. (His undergraduate degree was in chemistry.)

Bottomline: In spite of Bainbridge's occasional flashes of wit (or, rather, sarcasm), I'd recommend his hornbook only for the already-converted. Law students planning to practice (as opposed to teach) corporate law should look elsewhere. There are also a lot of typos and grammatical mistakes.

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[W334.Ebook] Download Ebook The Reference Manual of Woody Plant Propagation: From Seed to Tissue Culture The Reference Manual o, by Michael A./ Heuser, Charles W., Jr

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The Reference Manual of Woody Plant Propagation: From Seed to Tissue Culture The Reference Manual o, by Michael A./ Heuser, Charles W., Jr

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The Reference Manual of Woody Plant Propagation: From Seed to Tissue Culture The Reference Manual o, by Michael A./ Heuser, Charles W., Jr

Book annotation not available for this title.
Title: The Reference Manual of Woody Plant Propagation
Author: Dirr, Michael A./ Heuser, Charles W., Jr.
Publisher: Workman Pub Co
Publication Date: 2009/01/07
Number of Pages: 410
Binding Type: PAPERBACK
Library of Congress: 2009497202

  • Sales Rank: #2874829 in Books
  • Published on: 2009-01-07
  • Binding: Paperback
  • 410 pages

Most helpful customer reviews

59 of 62 people found the following review helpful.
Michael Dirr is the Absolute Expert in Plant Propagation
By John G. Szabo
Dirr has done all the research and you reap all the rewards. His conclusions are backed up by many scientific studies by various individuals and groups. The first part gives a summary of the diferent propagation methods and the second part has very detailed data on specific species. I save hundreds of dollars each year by propagating by own southern magnolias, red tip photinas, and navel oranges. This is, by far, the best book on propagation out there!!

48 of 50 people found the following review helpful.
A book by a pro for the professional propagator
By Jim Mackie
I propagated woody plants as a sideline business for a number of years and considered this book THE source. For many species, specific concentrations for rooting hormones are specified. This is invaluable information since for many plants there is an optimal concentration and using a higher or lower concentration of reduces rooting success rates as well as root development.

62 of 66 people found the following review helpful.
This is the best book out there.
By PETER S. NOVAK
This is by far the best book out there on this subject. I have bought all the books on this subject and none can compare to this one. If you only want to buy one book on this subject this is the one.

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The Reference Manual of Woody Plant Propagation: From Seed to Tissue Culture The Reference Manual o, by Michael A./ Heuser, Charles W., Jr PDF
The Reference Manual of Woody Plant Propagation: From Seed to Tissue Culture The Reference Manual o, by Michael A./ Heuser, Charles W., Jr EPub
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